I am currently a PhD candidate in the Department of Philosophy at New York University. I entered the PhD program in 2017.
Before coming to New York University I was an undergraduate at the University of Miami. I graduated in 2017 with a B.A. in philosophy and psychology.
I enjoy noodling around on my guitar, cooking vegetarian feasts, listening to various forms of extreme metal, mixing funky cocktails, and running the occasional half marathon.
I am lucky to have an incredible and talented partner, Madelyn, who does a lot of cool things.
Here is my CV.
The imagination is a powerful tool for learning about the world. If I want to figure out whether my luggage will fit in the trunk of my car, I might imagine trying to fit it inside. If I want to figure out how my partner is feeling, I might imagine what things are like from her perspective. If I want to figure out whether two ingredients will go together in a dish, I might imagine both flavors together to see if they result in a pleasant experience.
My dissertation investigates the nature, structure, and scope of imaginative justification. It tackles questions such as the following: Can imaginings justify beliefs? If so, what sorts of beliefs are they capable of justifying? Under what conditions do imaginings justify beliefs? Do imaginings generate new justification or merely preserve existing justification? Are imaginings themselves epistemically evaluable? Along the way, it draws out some lessons for how to think about the nature of the imagination.
I also have an ongoing collaborative research project on the nature and semantics of analog and iconic representations. Although sentences, thermometers, maps, and photographs are all used to represent the world, intuitively they do so in very different ways. How exactly should we characterize these different representational kinds? This is the question that my co-authors and I are pursuing in a series of papers.
I have wide-ranging interests throughout much of philosophy, but especially in philosophy of mind, epistemology, cognitive science, philosophy of art, philosophy of science, and value theory.
I enjoy talking about my research interests with others. Feel free to reach out if you have questions or comments, or if you would like access to a draft paper.
Here are my publications and works in progress:
THE STRUCTURE OF ANALOG REPRESENTATION (PDF)
We explicate and defend the rulebound structure theory of analog representation, according to which analog representation is a matter of interpretive rules mapping structure to structure. First, we argue that the mark of the analog is to be found in the rules of a system's interpretation function. We go on to develop measures that capture three dimensions of analogicity.
Philosophical Studies 2021
THE EPISTEMIC STATUS OF THE IMAGINATION (PDF)
I argue that imaginings are justified justifiers; imaginings can have an epistemic status and this epistemic status grounds their ability to justify beliefs. I show how this thesis best explains certain puzzling features of imaginative justification and argue that it is grounded in the fact that imaginings can be based on evidence.
Epistemic Uses of Imagination, edited by Amy Kind and Christopher Badura, Routledge, 2021
REASONING WITH IMAGINATION (PDF)
I argue that epistemic uses of the imagination are a sui generis kind of reasoning. First, I argue that they instantiate an epistemic structure that is distinctive of reasoning. Then, I argue that reasoning with imagination is not reducible to reasoning with beliefs. This provides a useful framework for theorizing about the epistemology of imagination.
Florida Philosophical Review 2017
DOES PHENOMENAL CONSCIOUSNESS OVERFLOW ATTENTION? AN ARGUMENT FROM FEATURE-INTEGRATION. (PDF)
In this paper I argue that attention is necessary for phenomenal consciousness. This paper was published as part of the Gerrit and Edith Schipper Award for Outstanding Undergraduate Paper from the Florida Philosophical Association.
Under review (ask for a draft)
PLAYS, PRODUCTIONS, AND PERFORMANCES: AN ONTOLOGY OF THEATRE
This paper argues for an ontology of theatre which contains three elements: plays, productions, and performances. Plays are event-types individuated by sets of instructions, productions are sub-types of plays individuated by ways of carrying out those instructions, and performances are event-tokens. This framework is best able to account for theatrical practice as well as partially improvised forms of theatre.
IMAGINATIVE JUSTIFICATION: NEITHER IMMEDIATE NOR INFERENTIAL
The second chapter of my dissertation. This paper explores two natural views of imaginative justification. On the first view, imaginings are immediate justifiers. On the second view, imaginings only justify in tandem with an inference. After exploring different ways of motivating and developing these views, I argue that both are false. Imaginative justification is mediate but noninferential.
THE STRUCTURE OF ICONIC REPRESENTATION
This paper defends a theory of iconic representation. We begin by criticizing a number of influential proposals which appeal to the parts principle. Our positive view, very roughly, is that iconic representations are analog locative structures, or structured collections of analog representations. We go on to use the distinctions we develop in our theory to construct a useful taxonomy of representational kinds.
IMAGINATIVE JUSTIFICATION AND SUPPOSITIONAL REASONING
Some philosophers have suggested that the imagination justifies belief in a way analogous to suppositional reasoning: by imagining a hypothetical scenario and then letting it unfold, one can come to form a conditional conclusion. I argue that this view fails to capture both the scope and grounds of imaginative justification. In its place, I argue that imaginings justify in a way analogous to model-based reasoning.
IMAGINATION AND HYPOTHESIS GENERATION
I argue that imagination plays a core role in hypothesis generation; to form a hypothesis is to imagine a possible way the world could be. I show how this account improves upon extant accounts and explicate some of the cognitive mechanisms by which the imagination is able to play this role. I'm expanding a scholarly blog post that you can read here.
Early Modern Philosophy (Spring 2021, with Don Garrett)
Ancient Philosophy (Fall 2020, with Jessica Moss)
Nature of Values (Spring 2020, with Sharon Street)
Minds and Machines (Fall 2019, with David Chalmers)
Religion, Mind, and Society (Spring 2017, with William Green and Michael McCullough)
HIGH SCHOOL OUTREACH
Big Questions NYU/NYIP Outreach
(Fall 2017-Spring 2019, with Jessica Moss)
SELECTED TALKS, CONFERENCES, AND EVENTS
THE STRUCTURE OF ANALOG REPRESENTATION
NYU Philosophy of Mind Discussion Group
IMAGINATION, SUPPOSITIONAL REASONING, AND MENTAL MODELS
Washington Square Circle (NYU Grad Student WIP Group)
COMMENTS ON MICHAEL STUART'S "ONE MORE TIME FROM THE TOP: METAEPISTEMOLOGY OF IMAGINATION"
Online Imagination Conference
COMMENTS ON HOWARD G. CALLAWAY’S “FUNCTIONALISM, CONSCIOUSNESS, AND FACE RECOGNITION”
APA Eastern Division
Online Imagination Conference
REASONING WITH IMAGINATION
Southern Society for Philosophy and Psychology
PoPRocks Philosophy of Psychology Workshop
OBJECT TRACKING AND THE FORMAT OF PERCEPTION
Poster, Society for Philosophy and Psychology
UC San Diego 2019
THE EPISTEMIC STATUS OF THE IMAGINATION
Fiction, Imagination, and Epistemology Conference
Ruhr-Universität Bochum 2019
SPATIOTEMPORAL REPRESENTATION AND THE FORMAT OF PERCEPTION
Southern Society for Philosophy and Psychology